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SUNBURY, Pa.Sunbury Press has released Something So Divine, J R Lindermuth’s tragic tale of murder in the rural hills of Pennsylvania.

“… reminds us of Harper Lee’s To Kill a Mockingbird, with similar intrigue and tension, but set in Pennsylvania ..” The Publisher

ssd_fcWhen a young girl is found murdered in a Pennsylvania rye field in the autumn of 1897, Ned Gebhardt, a feeble-minded youth known to have stalked the victim, is the prime suspect. Incidents involving another girl and gossip stir emotions to a frenzy, nearly leading to a lynching.

Evidence against Ned is circumstantial and there are other suspects. Influenced by the opinions of Ned’s stepsister and Ellen, a woman who has perked his interest, Simon Roth, the investigator, is inclined to give Ned benefit of the doubt. Then he discovers damaging evidence.

Still unwilling to view Ned as a cold-blooded killer, Roth puts his job and reputation in jeopardy as he seeks to assure a fair trial for the accused.

EXCERPT:
The dog stirred beside him. Ned Gebhardt tilted his head, listening. Though he couldn’t see the girl for the thickness of the second-growth trees, the rattle of brush told him she was coming his way. The dog whined and started to rise. Cupping a hand around her muzzle, Ned patted the dog’s head. “Be still,” he whispered.

Excitement gripped Ned as he awaited a sight of her. His foot jiggled in the leaves, and his breath came a little faster. He snuffled, drawing in the scent of leaf mold and sun-warmed wood. But Susannah thwarted his desire, cutting across the hill opposite instead of coming to where he waited. Ned pursed his lips and muttered, his tongue thrusting out to test the air like a snake while one hand plucked at his pant leg. He rose to his feet and grinned down at the dog. “She foxed us, didn’t she? Well, there’s always tomorrow.” The dog cocked its head, gazing up at him as if expected to reply.

The boy plopped down again, drawing his knees up to his chin and sitting with arms wrapped round his legs, contemplating what to do next. He sighed in annoyance at not having intercepted the girl. Ned felt certain he knew where she’d go as he’d watched her leave home earlier that morning. I told her where to go. Why didn’t she come here? He sucked his lower lip. His disappointment souring the good mood of anticipation.

He sighed. Pap would be angry he’d skipped out on his chores. But it would be all right if he took home a couple squirrel or a rabbit. Especially rabbit. Pap’s awful fond of rabbit. Yes, that’s what I’ll do—hunt up a rabbit or two.

The warm air was heady with the odor of rotting leaves and damp earth. Almost too warm for this October morning in 1897 on a Pennsylvania hillside. But Ned knew the frost would be coming soon. He’d seen a flight of geese heading south the previous morning, and there hadn’t been any sign of frogs or turtles along the crick for the last week. A rustle overhead, and he raised his eyes to scan the canopy. Acorn caps and the hulls and shells of other nuts littered the ground beneath the nearest big tree. But it was no squirrel he spied. Only a nuthatch flitting from limb to limb.

Ned rose, brushed dry leaf litter from his trousers, picked up his shotgun by the barrel, and started up hill. The dog shook itself and followed.

Anyone watching would have had no difficulty picking Ned out of a crowd. Tall and gangly, big hands and knobby wrists protruding from the sleeves of a too-often washed cambrey shirt, strong legs encased in hand-me-down corduroy trousers, worn brogans on his big feet, he strode along with the ease of one accustomed to climbing hills and walking fields. Not yet a man, shy and immature, but with muscles and calluses defined by long hours of manual labor. He had a shock of thick hair the color of bleached corn shocks, big eyes reflecting the blue of the sky, and a protruding lower lip usually wet with dribble.

The maples were red and gold now, but the boy was oblivious to their beauty, intent on another vision flashing across the screen of his mind. He’d been sure Susannah would come to this hillside to hunt chanterelles. It was late in the season for them, but Ned had spotted a nice crop under the oaks above her father’s rye field, and he’d told Susannah. He knew her family loved these golden mush-rooms, and Ned was certain that would be her destination.

Something So Divine
Authored by J. R Lindermuth
List Price: $14.95
5.5″ x 8.5″ (13.97 x 21.59 cm)
Black & White on Cream paper
226 pages
Sunbury Press, Inc.
ISBN-13: 978-1620066126
ISBN-10: 1620066122
BISAC: Fiction / Mystery & Detective / Historical

For more information, please see:
http://www.sunburypressstore.com/Something-So-Divine-9781…

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Northumberland, PA —  Sunbury Press has signed author John L. Moore of Northumberland, PA to publish his well-known Frontier Pennsylvania history series, which will reach eight volumes with the latest release:

  • Forts, Forests and Flintlocks
  • Bows, Bullets and Bears
  • Cannons, Cattle and Campfires
  • Pioneers, Prisoners and Peace Pipes
  • Rivers, Raiders and Renegades
  • Settlers, Soldiers and Scalps
  • Travelers, Traders and Tomahawks
  • Warriors, Wampum and Wolves

Each volume will be 8×5 inch paperbacks, ranging from 50 to 70 pages, with full-color covers.

john(From the Republican Herald Dec. 23, 2012):

Moore, a veteran newspaperman, said he employed a journalist’s eye for detail and ear for quotes in order to write about long-dead people in a lively way. He said his books are based on 18th and 19th century letters, journals, memoirs and transcripts of official proceedings such as interrogations, depositions and treaties.

The author is also a professional storyteller who specializes in dramatic episodes from Pennsylvania’s colonial history. Dressed in 18th century clothing, he does storytelling in the persona of “Susquehanna Jack,” a frontier ruffian. Moore is available weekdays, weekends and evenings for audiences and organizations of all types and sizes.

Moore has participated in several archaeological excavations of Native American sites. These include the Village of Nain, Bethlehem; the City Island project in Harrisburg, conducted by the Pennsylvania Historical and Museum Commission during the 1990s; and a Bloomsburg University dig in 1999 at a Native American site near Nescopeck. He also took part in a 1963 excavation conducted by the New Jersey State Museum along the Delaware River north of Worthington State Forest.

Moore’s 45-year career in journalism included stints as a reporter for The Wall Street Journal; as a Harrisburg-based legislative correspondent for Ottaway News Service; as managing editor of The Sentinel at Lewistown; as editorial page editor and managing editor at The Daily Item in Sunbury; and as editor of the Eastern Pennsylvania Business Journal in Bethlehem.

Regarding cover artist Andrew Knez, Jr.:

THE FISHERI have been marketing my “Frontier Art” full time since the spring of 2000. The text that accompanies many of my paintings or prints is material from extensive research into period journals, diaries, archival records and I have a number of experts with whom I consult about particular details of an intended painting. It is not uncommon for the research into a particular portrayal of an event or proper clothing and accoutrements represented to take much longer than the actual painting. The text helps the viewer to have a more in-depth understanding of the subject of the painting. One-thousand copies of my recent book entitled “Eastern Frontier Art” sold out in twenty months through word of mouth, a few small ads in historical publications and personal appearances at historical sites. My art has graced the covers and/or pages of many books including the Kentucky Social Studies S. E. textbook by Harcourt Publishing, Rockhouses and Rhododendron, Volumes 1 and 2 by John Curry, The Indian Capture of Jacob Nicely by Robert Nicely, On the Banks of the Gauley by Rock Foster and Skulking in the Woods by Ben Scharff. To date, I have had my art on the covers of over 70 national and international publications including Backwoodsman, Muzzle Blasts, Muzzleloader, On the Trail, Black Powder Cartridge News, Journal of the Americas and Precision Shooting Magazine. I also was commissioned to create the video cover art for “The Captives”, an award winning documentary about the abduction of Mary Draper Ingles. I was made a Signature member of the National Oil and Acrylic Painters’ Society along with being accepted as a member of the American Plains Artists. My originals are in many private, corporate and historical collections such as: The National Rifle Association, Bushy Run Battlefield, The Beaver County Historical Center, Old Bedford Village, The Brandy Station Foundation, Prickett’s Fort, Wilderness Road State Park, Contemporary Longrifle Association and Owensboro Museum of Fine Art.

For more information about the artist:  http://www.andrewknezjr.com/

For more information, please visit http://www.sunburypressstore.com/

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